Robin Gow

Robin Gow is a Lambda award-winning trans poet and witch from rural Pennsylvania. It is the author of several poetry books, an essay collection, YA, and Middle-Grade novels in verse, including Dear Mothman and A Million Quiet Revolutions. Gow's poetry has recently been published in POETRY, Southampton Review, and New Delta Review. Fae lives in Allentown Pennsylvania with their queer family.


Tank Tea Party

“That is the difference between

little girls and little boys,” my mom said

every time she used to tell the story

of me gathering my plastic toy tanks

for a tea party.






I imagined their barrels

as mouths, long and hungry.

Hungry just like mine.






This was not an act of gender

but rather against it.






Of how in my smallness I first imagined

a tank as a creature

and not a tool of destruction.






Having never felt the earth shake

beneath me or smelled 

a burning life. Instead, I grew up

between farms and 

crooked leaky rooves.






Instead, inside me opened

an animal dream of communion.






Face to face. Nose to nose. 

A gathering on the speckled carpet.

This is what 

we could be. 


Playing Pretend

When I say “revolution” I do not mean a new fresh terrible war. I mean you are the hat salesperson and I am looking for something to wear to a field of sunflowers. I mean we are on a planet of ice cream and wool. I mean you are the mom and so am I. I mean we are dogs and our house is made of dragonflies. We follow it wherever the sun will shine off our exoskeletons. I have a hard time finding anyone to play pretend with anymore. One summer I worked at a daycare. I craved moments when a child would say to me, “We are going to catch a dinosaur and feed it cake.” The other teachers would say, “I don’t know how you put up with them.” I would lie and say, “It makes the time go faster.” Really, I adored those moments. We were no longer in the backyard of a house by the highway but instead in a jungle of nectar and moss. When our time ended I hated the return. How to go back to being a girl living out of her car when, just hours ago, I was capable of being another species and capable of flight and capable of real abundance. When I say “revolution” I mean I want you to play pretend with me. 


Naked Barbie Wilderness
When I undressed dolls I was always

looking for something.







Hoping that beneath 

the polyester clothes

there was a fragment

that might teach me

what a girl was supposed

to be.







Bodies smoothed 

of all complications.







I adored them

the way all true queers

love a facsimile.







I never had Barbies of my own

so I always did this

at friends’ houses.







What did they think of me,

always with the naked Barbie?







I imagined my girlhood

running naked

like the dolls.

In a sexless way. 







A deep wild wood

where no one had a body at all,

just blood

and fingers.







Once, a friend made her doll talk.

She asked, “Where are

your clothes?”

I did not want

to make mine answer.







The rules of play though

are that you are safe

as long as

you are both

in the same game.







I did not want to admit to her

that we were not

so I said, 

“I lost them.” 


An Ode to Babyless Girls 

Dear little prophet, I am in love with your fingers.

Sometimes I do not believe your fingers are my own. 






I remember how you crouched beneath

the pine tree. Plucked globs of sap front its neck.






How you dug wild onion bulbs from the spring earth

and ate them raw. We never had baby dolls but god






did we have children. The alien flowers 

and the dead birds. Stuffed monkies who we cradled 






and fed. I want to be a disciple of my younger self.

She knew so much about gentleness and often






I wonder where all of that went in me. Mothering

has so little to do with gender so much more






to do with softness. She had endless softness. 

The patience of an early moon saying, “I’ll stay






until you are done.” It is wrong to say I was never a girl.

My god I was a little girl. She walked in the creek.






She raised tadpoles like little Lazaruses. Once, 

in a bible school production, she played Jesus 






for the miracle where he walks on water.

I told the other children pretending to be prophets,






“Do not be afraid.” When I spoke, they believed me.

The carpet becoming water. Nets full of fish. 

Ballads of the Behemoth

Ballads of the Behemoth is a poetic odyssey, where lines are drawn into the concrete of the void. This collection of works gathers poets who craft verses upon tagged monoliths, reshaping the Behemoth’s vast terrain of memory and identity.

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Tim Skeen